Cider Lab


Working with constraints
Microbreweries face unique challenges in product development. With a constantly changing product catalog and one-off releases in limited numbers, they have an ongoing need for new label designs, putting a strain on resources. Through discussions and projects with breweries, I identified the need for flexible, cost-effective label solutions leading to this portfolio project.

For the fictional client Cider Lab, I took this to an extreme – imagining them as a client solely focused on their product and the technical aspects of its production. To meet this idea, I developed a modular system allowing the brewery to independently update product design on their own – allowing them to stay flexible and cut down on the need for outside design help.




Breaking the grid
To strengthen brand identity I introduced a series of stickers inspired by fruit labels. These serve as strong branding elements and a practical tool to visually differentiate bottles while highlighting their flavours.

This solution also adds a human touch to the otherwise clean and minimalist aesthetic, further emphasizing Cider Lab’s craftsmanship and focus on raw materials.




Making it move
When translating the visual identity of Cider Lab into motion, it was important for me to keep the human touch introduced through the fruit stickers while also ensuring that the animations felt snappy and precise - just like the labels. The movements were therefore made to slightly overshoot before settling, supported by a balanced use of easing both in and out.

Ruckel Brewing


Hometown hero
During the spring of 2025, I was approached by Ruckel Brewing to design a limited set of labels for their upcoming autumn releases. As the brewery’s first collaboration with a designer, the project opened up a broad exploration of directions and possibilities. In the end, the brewmaster chose the final designs, giving the labels a distinctly personal character rooted in the brewmaster himself.


Gothenburg Space


Social assets with a quick turn around
During the summer 2024 i got to work on the graphic identity and social media assets for a techno event in Gothenburg, Sweden. The line up featured prominent artists such as The Rocketman and Amero as well as lesser known, but cult status, artist like Hertz. 

Girl Scout


A dog named Bob
Merch made for Girl Scouts 2024 Europe tour. Based on a moodboard put together by the band, I was given the freedom to experiment freely, pitching ideas like a bespoke barbed-wire script typeface and other typographical treatments. The final result, shown above, lets the lead singer’s dog “Bob” take center stage.

Listen to Girl Scout here


Splash Soda


More info coming soon…


Oljud


Building a brand around a product
Most portable speaker brands either take themselves too seriously (Sonos), lean on outdated nostalgia (Marshall) or take a boring, mass market, stance (JBL). In researching this space, I identified a missing position: a brand that values both technical quality and playful, personal expression.

This insight led to Oljud, a fictional brand producing portable speakers that combines technical quality with a modern, customizable, and playful identity. For this project I designed and 3d-modelled the speakers themselves as well as the identity, trying to balance clean and modern aesthetics with a fun, approachable personality. 




The dot-matrix as a system

Central to the identity is the use of a dot matrix allowing for modular construction of illustrations, icons, animations and the logo itself. Its reference point is the LCD displays typically found on older stereo equipment - giving a slight nod to the past while also creating a connection to the product’s function.

Such a rigid, systemised, look helps to give structure while making any break of the grid or playful use of the matrix more powerful, introducing a personal and fun feeling into the brand.




Putting it all into practice (more applications to come)Across  applications the dot matrix transforms into icons, illustrations audio visualizers and waveforms. Paired with a neo-grotesque sans serif Switzer and the monospaced Space Mono, the dot matrix becomes a complete and flexible visual language. The dot reappears across applications, not only in the graphical elements but also through the products themselves which occasionally become carriers of it.